Charlie Haden - Nocturne - (MP3 и FLAC)

Charlie Haden - Nocturne
Жанр: Post-Bop, Modern Creative
Страна-производитель диска: E.U. (France)
Год издания диска: 2001
Издатель (лейбл): Universal Music S.A. France / Gitanes Jazz Productions
Номер по каталогу: 013 611-2
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:06:43
: barin99
: да
Треклист:
01. En la Orilla del Mundo (At the Edge of the World) 5:14
02. Noche de Ronda (Night of Wandering) 5:44
03. Nocturnal 6:55
04. Moonlight (Claro de Luna) 5:37
05. Yo sin Ti (Me Without You) 6:01
06. No Te Empeñes Mas (Don't Try Anymore) 5:30
07. Transparence 6:11
08. El Ciego (The Blind) 5:57
09. Nightfall 6:39
10. Tres Palabras (Three Words) 6:18
11. Contigo en la Distancia / En Nosotros (With You in the Distance / In Us) 6:32
Recorded August 27-31, 2000 at Criteria / The Hit Factory Studios, Miami, FL
Personnel:
Charlie Haden — Bass
Gonzalo Rubalcaba — Piano
Ignacio Berroa — Drums, Percussion
+
Joe Lovano — Sax (Tenor) (1, 4, 7, 11)
David Sanchez — Sax (Tenor) (6, 10)
Pat Metheny — Guitar (2)
Federico Ruiz — Violin (1, 5, 8)
Mixed October 27-31, 2000 at Capitol Studios, Los Angeles, CA and December 9, 2000 at BMG Studios, NYC
Mastered January 19, 2001 at River Music, Rowayton, CT

Лог создания рипа (EAC Log)

Содержание индексной карты (.CUE)

AMG

Charlie Haden teams up once more with the young Cuban pianist Gonzalo Rubalcaba for this melancholy, soothing album. Ignacio Berroa, on drums and percussion, completes the core trio. Special guests include tenor saxophonists Joe Lovano and David Sanchez, violinist Federico Britos Ruiz, and guitarist Pat Metheny (one track only). Rubalcaba contributes orchestrations on two cuts, both of which omit drums and percussion. Haden's intention is to explore the bolero, a distinctive Latin dance rhythm that Ignacio Berroa accents with a soft, subtle snare drum roll, played with brushes, beginning on the 'and' of the first beat of the bar and ending on the second. This rhythm is perfect for a slow dance, and indeed, the entire album is highly romantic, with bittersweet melodies and lilting cadences. The only problem is that Berroa's bolero figure anchors nearly every track — perhaps what one should expect from a bolero album, but there's no getting around the fact that the music sounds pretty much the same throughout. (To be fair, Berroa isn't solely to blame for the sameness.) Most of the songs, save for two originals by Haden and one by Rubalcaba, are Cuban and Mexican standards, and they're beauties. Haden's reluctance to mess with them is understandable. But the unvaryingly straightforward arrangements fade too easily into the background. Nocturne may well be the best candlelight dinner music ever, but Haden and his guests are capable of more.

В 2002 году альбом Nocturne получил Грэмми в номинации лучший латинский джаз.